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House on Haunted Hill Streaming.
Movie Title: House on Haunted Hill House on Haunted Hill is available for streaming or downloading. |
Say what you want about producer/director William Castle (The Tingler, 13 Ghosts, Mr. Sardonicus) but one thing was for obvious…he knew how to enjoy seats in a movie theater, primarily by forcing some sort of disclose interaction between the audience and the film (at least in his scare themed features) . In House on Stunned Hill (1959), he utilized a technique he called `Emergo’, which essentially featured a skeleton, suspended from wires, coming from the shroud towards the audience during a specific share of the movie, the intent being to terror the pants off those in the theater. From what I’ve heard, it didn’t sound like many were petrified, but it didn’t really matter as Castle was a master at selling the sizzle, rather than the steak, as they say, and audiences flocked to his films…produced and directed by William Castle, the film features the merchant of menace himself Vincent Ticket (The Soar, The Tingler, House of Usher) in the first of two films he made with Castle. Also appearing is Elisha Cook Jr. (Shane, The Stupefied Palace), Carolyn Craig (Giant), Richard Long (Ma and Pa Kettle), Carol `homina homina’ Ohmart (Spider Baby), Alan Marshal (The Hunchback of Notre Dame), and Julie Mitchum (Edge of Hell), sister of actor Robert Mitchum.
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Price plays Frederick Loren, an eccentric millionaire who, along with his wife Annabelle (Ohmart), has thrown together an spirited tiny party enchanting five, seemingly random strangers gathering at a worried house with ten thousand dollars to each who dare halt through the night. In attendance, along with Frederick and his wife, is Watson Pritchard (Cook), whose brother, one of the previous owners, was murdered within the house, Lance Schroeder (Long), a test pilot, Dr. David Trent (Marshal), a psychiatrist, Nora Manning (Craig), a typist, and Ruth Bridgers (Mitchum), a newspaper columnist. Seems all have agreed to play Frederick’s puny game for one reason, they need the dough, and if some crazy rich dude is willing to fraction with his green for such a seemingly easy task, what the hay, upright? Well, the guests reach, introductions are made, and Frederick gives them the burly lowdown. The secluded house is like a fortress (steel doors and bars on the windows) in that once they’re locked in (at midnight, to be true), there’s no getting out until the caretakers approach the next morning. Also, there’s no electricity or telephones, and the nearest neighbors are well beyond yelling distance. After a tour of the house, highlighting where various ghastly events occurred (including a visit to the acid vat in the cellar…man, this dwelling has everything), a few drinks, and some scares (the ghosts seem to have a thing for Nora), Fredrick passes out some party favors in the accomplish of loaded handguns (nothing like being drunk and armed), not that they’d do anyone worthy ample if there are ghosts out and about…anyway, midnight is coming so if anyone wants to prick out of this ghoulish derive together, they’d better derive while the getting’s first-rate…
While not my celebrated Castle feature (that goes to The Tingler), House on Disquieted Hill is serene a hoot and a half for all of its campy, good-natured fun. The one thing this film has going for it, above and beyond everything else, is Vincent Stamp. No matter how inappropriate the feature was (which wasn’t the case here), Imprint always brought with him a steady sense of class and sophistication to the proceedings, especially suitable of the number of Poe based films he and Roger Corman made throughout the 1960s for American International Pictures. The absolute best parts of this movie for me occur early on as Price’s character is interacting with his wife, and we gape the pair have an enchanting hate/hate relationship…here’s an example of their often outrageous and insinuating banter they retract in tedious closed doors…
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Fredrick: Of all my wives you’re least reliable…
Annabelle: But mild alive.
Here’s another bit…
Frederick: Do you remember the fun we had when you poisoned me?
Annabelle: Something you ate, the doctor said.
Frederick: Yes, arsenic on the rocks…
There are a few more marvelous exchanges between Sign and Ohmart, reliable alone of seeing this film. As for the rest of the performers, I had no sincere complaints. Elisha Cook Jr.’s character did procure on my nerves after awhile, with his constant dour outlook punctuated by his persistent `doom and gloom’ predictions. Drink some more booze, you rummy…seriously, all this guy did was talk about how the ghosts were going to advance and win them all away. Perhaps this attitude was assisted by his excessive alcohol intake, but really, what’s the point of accepting an invitation to expend a night at a house you hold you won’t advance out of alive? The money? Won’t do you remarkable wonderful if’n you’re unimaginative, fool. If I was in that house I probably would have shot him unprejudiced to be rid of him. At least I learned one thing…never invite Elisha Cook Jr. to your party and ply him with lots of booze as he’ll turn into a exact poison pill. I did like Ms. Ohmart, and not objective because she was a smoking babe with a astronomical rack, but because she held her acquire with Imprint, even if it was for honest a handful of scenes. If you’ve got a hankering to examine more of her, and you like ookie awe features, you should really check out another film she appeared in called Spider Baby (1968), featuring Lon Chaney Jr. There are a few, minor scares scattered throughout the film (a crusty crone, a disembodied head or two), but nothing that will acquire you soil yourself…some scenes will gain you snicker, though, like the one where Pritchard chucks a dull rat into the acid vat, if only to exhibit the acid is really acid. After some bubbling effects, a fully articulated rat skeleton bobs to the surface, indicating to those watching it truly is the sincere deal. Yes sir, that be some remarkable acid…the movie may not be distinguished for scares, but it does have plenty of atmosphere created by Castle’s direction, groovy, cobweb laden location pieces, spooky music, and usage of the Ennis Brown House in Los Angeles, designed by Frank Lloyd Wright, for the exterior shots.
It seems this film has fallen into the public domain (i.e. the copyright expired), as I peruse there are a number of DVD releases by various companies. I can’t hiss for those other releases, but the one I maintain, build out by Warner Brothers (it has a mammoth headshot of Heed in the lower lawful hand corner and Ohmart in a nightgown being menaced by a disfigured hand in the upper left), looks exceptionally trustworthy, and features both the fullscreen and widescreen formats, along with a respectable Dolby Digital mono audio track. The only extras included are a theatrical trailer for the film and subtitles in both English and French.
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By the arrangement, this movie saw a remake of the same titled, released in 1999, oozing with high tech special effects. It was decent enough, but I composed liked the unusual better.
William Castle at his gimmicky best! A Classic, spooky Murky and White, with deliciously devilish Vincent Tag as millionaire with a bored gold-digger wife. She wants a Halloween party with her friends, Tag tosses a party all proper, but not with the people of her choosing. He offers $10,000 dollars to five stranger if they will join him and his wife in spending Halloween night in a truly shrinking house. One of the 5 is a young Elisha Cooke, family of the traditional owners who died in the house, and he leads them on a slay tour. To jazz things up, Sign passes out “party favors” – guns. And it’s a accelerate to obtain out whether Brand of his wife will be the last one standing. This movie is a grandfather of nearly every clichés, blooding dripping from the ceiling, black mysterious corridors, a witchy woman floating around and vanishing – and the topper that organ music!! This is more like a Halloween Fun house slither than a movie! Sign is campy and has huge fun with the role, with clean lines, especially when fussing with his less than gay wife.
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Castle originally devised this movie with “special touches” for the audiences, like ghost on wires gloating through the audience of people in costume sitting down beside you to enhance the fun house feel.
Just tedious fun and a wee whisk down memory lane.
GVO Review
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